Ben David approaches design with a clear point of view—one that moves between past and present without forcing a distinction. His work is grounded in form, colour, and restraint, shaped by observation and refined through process. Each vessel offers a way to explore proportion and movement––in this conversation, he discusses the role of natural influence, the balance between minimal and layered design, and the thinking behind pieces that feel both familiar and new.
Ben David pieces feel both timeless and contemporary – how do you strike that balance when designing new collections?
I try not to overcomplicate it—for me, it always comes back to clarity.
Travel plays a big role in shaping that. It helps me refine what I’m drawn to—whether it’s bold colours, interesting shapes, or small details—and I build from there. I focus on strong form and colour, keeping things simple but intentional. That balance is what allows the pieces to feel both timeless and contemporary.
I’ve always been drawn to vases. What I love about a glass vase is the way it sits within a space—it has a presence that can complete a setting. Whether it’s a more sculptural, grand form or something simple like the KIKI vase, I’m interested in the character each piece holds. Every vessel has its own personality, and that’s what excites me.
I think that’s where the balance comes from—creating pieces that feel considered and lasting, while still having a distinct point of view.
To what extent do natural forms – like stems, movement, and organic asymmetry – influence the shapes of your vessels?
I’m drawn to curves that give a vase its own character, with shapes that feel fluid rather than rigid.In pieces like the Aphrodite Vase, the flared rim brings a sense of movement and softness, while the Melody Vase takes on the form of the female figure. Each piece feels more sculptural, with its own presence.
Where do you draw the line between minimalism and maximalism in your work?
I think it comes down to knowing when to stop.
I’m drawn to what I’d call organised clutter—something that feels rich and layered, but still considered. It should feel like a feast for the eyes, without becoming overwhelming.
A lot of it comes down to colour as well. When the palette is right, you can push things further while still keeping a sense of balance.
Is there a signature proportion or geometry that anchors your design language?
I wouldn’t say there’s a fixed signature proportion, but I’m drawn to pieces that feel visually intuitive.
Often it’s about creating a sense of familiarity—whether it’s a shape that feels almost historical, like the Royal Vase, or something more contemporary like the Loop Vase that feels at home in a gallery setting.
I like combining those references and reworking them into something more modern. That tension between the familiar and the unexpected is what I find most exciting.
Discover a curated collection of Ben David vases in Vasette stores across Melbourne throughout Autumn and Winter.